Gibson guitar serial dating
Sometimes this is difficult, but you have to look at the format of the number, and the general era of the instrument. Also, examine the placement and style of the numbers and make sure it follows the schemes described. Low end models with no serial number. The new low-end case was a black softshell with a plush deep red lining.
Also the reflector on these knobs can be silver or gold. Starting in mid, they switched to a much whiter and slightly rounder tip plastic switch tip.
Around is when Gibson started experimenting with Nitrocellulose laquer, and by all models were using lacquer. Hence, some serial numbers may be duplicated in different years.
Instead, Gibson just ink stamped the model number inside on hollow body instruments. If the instrument was a flat top guitar, this number was ink stamped inside the round soundhole on the inside back of the guitar.
Gibson always used nitrocellulose lacquer for all instruments from to present. Code is ink stamped on the inside back.
Gibson Guitar Serial Dating - Guitar Nucleus
This stamp is also seen on the back of the peghead. Note white label numbers A to A were not used. It wasn't till that Gibson came up with a good serial number system that will last them indefinately. This case also often had a hard thin brown plastic handle that cracked very easily. Vintage reissue and custom shop models use a different serial number format.
Gibson serial number consistency was never given much thought, as Gibson changed serial number system many times. Neck Shape Spanish models. Lower models used black rigid cardboard cases.
Next to it is the version where the switch tip changed to a plastic material that stayed white, and had a visible seam. Ink stamped, not penciled. Metal saddles replace the nylon saddles on the tunematic bridge. After the war, the red pencil wasn't used and on instruments made during the war, sometimes it's really hard to see the red penciled sequence number.
Note during this period there where three different manufacturers making cases for Gibson, all with the same basic specs, but slightly different shapes Lifton, Geib, Stone. These markings were stamped into the wood on the back of the peghead. Instruments made at Nashville are numbered beginning with each day.
The handle on the medium and high grade cases was leather covered metal. Les Paul Classic, present. For example some Lloyd Loar mandolins had this finish.
Thin neck back shape, even compared to today's standards these necks don't have much wood behind the fingerboard and feel very thin. Pretty much sequentially ordered. There is still now an outside hole in the metal tuner cover for the tuner worm shaft. This was located on the side of the case by the handle.
This following information applies to all Gibson instruments including guitars, mandolins, lapsteels, basses and others. Most humbucking pickups first year have no decal, and a more squarish stainless steel cover. Factory Order Numbers beginning with the letter D to H pressed into the back of the peghead. Often no serial number or model name on label, picture of Orville Gibson and lyre mandolin, date sometimes penciled under the top must be seen with a mirror. Factory Order Numbers stamped on neck block inside body.
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